I might be weird for taking this much joy from steadfastly disagreeing with nearly everyone on this one, but it’s only because that never happens. Usually I find some critics somewhere that agree with my initial instincts on a matter or (chicken/egg) commentary that shapes my ultimate opinion.
Alas, this is not the case with Scarlett Johansson’s foray into the music world with “Anywhere I Lay My Head”, an album of Tom Waits songs. It has been resolutely panned by every single critic, gossip blog and magazine I’ve read. But here’s the rub: I like it. I really like it. (Sidebar: Do you think Sally fully appreciates what she’s given us?)
So her voice isn’t going to bring down any houses… but it’s good enough and the production is interesting and solid enough in its own right to make it worth adding to my always-lacking-extra-bytes iPod.
At this point you’re probably assuming some or all of the following:
1 – this blogger is a Scar Jo superfan
2 – this blogger is a Tom Waits superfan
3 – this blogger has no taste in music
But none of those assumptions are true. (Although at times my penchant for Eurotrash does jeopardize my music cred – but that’s when I invoke the “wide ranging appreciation” clause.)
If you asked me about Tom Waits before I heard this album, I would have rambled on about not being familiar with his songs, not liking his voice, and generally not understanding his appeal. Much like Neil Young, he’s an artist I feel I should like/appreciate/”get”, but unfortunately I don’t. And truth be told I haven’t tried too hard.
Alls I know is I like what SJ did here. And I know that this post has gone on too long. NEXT.
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